Releasing two books seems like small fry in the context of a year that also included an operation, an accident, a family emergency, a devastating restructure at work, a security threat that impacted my place of work, oh and the small matter of a global pandemic.
It's hard to know what to make of this year.
On one hand, I'm so lucky to live in Aotearoa and to have been so lightly touched by the pandemic. And I'm even luckier to have so many amazing supporters who pre-ordered my children's book Bruce Goes Outside, and my collection of short stories, Pet, and made the publication of them both possible. Thank you so much!
On the other hand, it has been such a hard and disappointing time. Looking for photos for this update, there are few of me celebrating with others. There are no photos from the Pet book launch, because there wasn't one. The only images in my Pet folder are jaunty invitations to cancelled celebrations.
My books seemed to come out at the worst possible time - when magazines that review books weren't being published, just a few weeks before the Kete book review site launched, and when Level Two and Three restrictions made it impossible to celebrate with in-person launches. I had four launches scheduled for the year (in Dunedin and Auckland) and we were able to go ahead with one.
However, a really positive thing that came out of the pandemic was a change in arts funding that led to my surprise project of the year - a podcast!
Thanks to Creative New Zealand I had the incredible opportunity to work with 17 extraordinary talented actors and the amazing Otago Access Radio (OAR FM) crew to create a podcast for Pet. Creating that podcast and getting to meet so many wonderful people was a highlight of my year.
Other highlights included Steve Braunias and Newsroom coming to my rescue and enabling me to have an online book launch for Pet (thank you!) and the children at Port Chalmers Primary School following up on a workshop I held with them by presenting me with a book of their stories. Another highlight was being asked to be the guest speaker for a School Library Association of New Zealand event. The event organisers made me feel as though I was Stephen King! And my lovely work colleagues organised a spontaneous Pet book launch for me in an office space, complete with flowers and donuts! There is plenty to be grateful for this year.
So, 2020 has left me with a lot of complicated feelings - but here's my 'annual report'. It follows the same format as last year's.
Last year I had a goal to send away 100 submissions. This year I was too busy crowdfunding to write or submit much new work. I made eight submissions to journals, competitions, residencies and funding bodies, and had six declines. I received CNZ funding to create a podcast, and one submission is still outstanding.
Although my number of submissions was small, two of them were for opportunities that I desperately wanted. On the strength of Pet and its reviews I also approached several literary festivals, but haven't been invited to participate in any as a short story writer. Another disappointment was having to crowdfund my books. After the success of Bruce Finds A Home (lovely reviews, and 2000 copies sold) it would have been great to have received funding to assist with the publication of Bruce Goes Outside. And I would have dearly loved to have found a publisher for Pet. Crowdfunding is not a sustainable arts practice - something I might write about in an essay one day.
But as with everything this year, there have been silver linings to my disappointments. I was thrilled to be able to work with the extraordinary team at Mary Egan Publishing to release Pet, and I just love the cover design! The team at Mary Egan Publishing is amazing and I can't recommend them highly enough. And crowdfunding gave me the opportunity to connect directly with people who wanted to read my work! Wow! It blows my mind that there are people out there who are interested in reading what I write. Thank you so much for your support, it has meant the world during this challenging year.
Last year I said, "In 2020 I hope to publish both Pet and Bruce Goes Outside, and get a little further along on my doctorate of professional practice."
So what do I want for 2021? I'm not sure yet. I would love to write and illustrate a third Bruce book, but the sales of Bruce Goes Outside haven't been as strong as they were for the first book, so I don't think it would be practical to do so. I hope to have finished, or be close to finishing my doctorate this time next year. And on the writing front, I'm not sure. Will I focus on trying to become the best short story writer that I can be? Or will I follow the scent of a novel idea? That's something for me to mull over during the summer break.
As I finish this update I hear sirens. I look out my window to see what looks like the third serious house fire in my little town this year.
I hope 2021 is an easier and happier year for us all.
Alicia Young is pretty much the worst pseudonym I could have chosen. I didn't even google it. I was walking through the fog of infertility treatment and probably not thinking clearly. I wrote a short series about undergoing IVF and having a miscarriage, and it was published on The Spinoff under Alicia's name.
Alicia came out again recently when our PM revealed that she is expecting and I knew that a certain group of women (and their partners) would be juggling some mixed feelings about the announcement. The piece must have tapped into some kind of zeitgeist as it was picked up by The Herald Online and was printed in The Herald the next day.
It felt weird and exposing and a bit self-indulgent to share such personal feelings, but the comments I received made me feel as though I did the right thing.
"It was refreshing piece you wrote and I just wanted to say thanks. You helped me."
"Thank you for putting some of this into words. Know that you are not alone there are many of us feeling as you do, and we are grateful that you have had the courage to write this."
"Oh god, yes it hurts. I think she'll be due around the week as I was."
"Thank you for writing this."
A graduate of UNITEC’s School of Performing and Screen Arts (BA) and Victoria University’s Institute of Modern Letters (MA), Kathryn is a published playwright who has won several Playmarket and Fringe Festival awards.